Mary Kasimor has been writing poetry for many years and is still looking for her voice. Her recent poetry collections are The Landfill Dancers (BlazeVox Books 2014), Saint Pink (Moria Books 2015), The Prometheus Collage (Locofo Press 2017), and Nature Store (Dancing Girl Press 2017). She has also been a reviewer of many small press poetry collections.
Gregory Vincent St. Thomasino’s poetry and prose have appeared in Barrow Street, New York Tyrant, jubilat, Rapsodia, Verse Wisconsin, StylusLit, GAMMM and Dispatches from the Poetry Wars. His most recent volumes are The Valise (Dead Academics Press, 2012), Selected Poems (Bibliotheca Universalis, 2017) and Two Short Novels (Bibliotheca Universalis, 2017). The Wet Motorcycle: selected writings is forthcoming. He is founding editor of the online poetry journal, Eratio.
Arpine Konyalian Grenier was born and raised in Beirut, Lebanon after the post-Ottoman era induced French rule of the region ended. Four of her collections are published, another is forthcoming. Her work has appeared in numerous publications, more recently in Big Bridge, Tammy Journal andBarzakh. Other credits include multi-disciplinary collaborations, guest editing and presenting at conferences. She lives and writes in Los Angeles.
David Rushmer lives and works in Cambridge, UK, and has published artworks and poetry in Angel Exhaust, Archive of the Now, BlazeVOX, Epizootics, E.ratio, Great Works, Molly Bloom, and, Shearsman. His published pamphlets include; Homage to Throbbing Gristle (Writer Forum, 1993), The Family of Ghosts (Arehouse, Cambridge, 2005) and Blanchot’s Ghost (Oystercatcher Press, 2008). His first full length collection of poetry is, Remains to Be Seen (Shearsman, 2018).
J.I. Kleinberg artist, poet, and freelance writer, J.I. Kleinberg is a Pushcart nominee and winner of the 2016 Ken Warfel Fellowship. Her found poems have appeared in Diagram, Heavy Feather Review, Rise Up Review, The Tishman Review, Hedgerow, Otoliths, and elsewhere. She lives in Bellingham, Washington, and blogs most days at thepoetrydepartment.wordpress.com.
Anna Sandalaki-A collage is kind of a mirror (and is, maybe, a fragmented mirror). The visual reflection of our feelings, thoughts, concerns, memories and dreams. Each one of us can read different realities or stories “on” this boundless and magic looking glass.
Anna enjoys creating visuals in black and white and visuals from a surrealist point of view, through which she can explore the potential of the inevitable and worthwhile alternation of the bright and dark side of ourselves.
The materials used in her collages are mainly paper from second-hand books, vintage or recent magazines, as well as spray paint. Other media also, plus stencil techniques for the envisaged composition.
Main influences and sources of inspiration are people, indie rock, ambient music, swing, photography, nature, doubt, anxiety and dark chocolate.
Anna studied Social Policy & Social Anthropology in Athens, but ventured into collage art. Right now she is based in Chania, Greece.
Instagram : https://www.instagram.com/annasandalaki/
Deviant art : http://annasandalaki.deviantart.com/
Haley Lasché is a yoga teacher and writing professor. Her poems have appeared such places as Drawn to Marvel: Poems from the Comic Books, Hartskill Review and Dossier Journal. She has two poetry chapbooks: Where It Leads (Red Bird Chapbooks 2016) and Blood and Survivor (Moria Press 2017).
Jenna Cardinale is the author of A California (DGP, 2017). Recent works appear in Adjacent Pineapple, Sporklet, and Maudlin House. She lives in the county of Kings in New York.
Dirk Vekemans (1962 -Belgium) is the author of the Neue kathedrale des erotischen Elends (2004-present) a form of writing across extinct, present and nascent realities. As a kid he got head- and toothaches from eating ice cream but now he loves it with cherries on top.
John Goodman is a Canadian writer and Pushcart Prize nominee. He has published four collections of poetry as well as a novella and a novel.
William Allegrezza edits Moria Books and the e-zine Moss Trill. He teaches at Indiana University Northwest. He has previously published many poetry books, including In the Weaver's Valley, Ladders in July, Fragile Replacements, Collective Instant, Aquinas and the Mississippi (with Garin Cycholl), Covering Over, Densities, Apparitions, and the most recent publication Step Below:Selected Poems 2000-2015 (Meritage Press); two anthologies, The City Visible: Chicago Poetry for the New Century and La Alteración del Silencio: Poesía Norteamericana Reciente; seven chapbooks, including Sonoluminescence (co-written with Simone Muench) and Filament Sense (Ypolita Press); and many poetry reviews, articles, and poems. He also edited The Salt Companion to Charles Bernstein. He founded and curated series A, a reading series in Chicago, from 2006-2010. In addition, he occasionally posts his thoughts at P-Ramblings.
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James D. Autio is a poet and visual artist in Minneapolis. James' artwork ha appeared on the cover of Yellow Medicine Review and "Stories for a Lost Child" by Carter Meland.
Eileen R. Tabios loves books and has released over 50 collections of poetry, fiction, essays, and experimental biographies from publishers in nine countries and cyberspace. Her 2018 poetry collections include HIRAETH: Tercets From the Last Archipelago; MURDER DEATH RESURRECTION: A Poetry Generator; the bilingual edition (English/Spanish) of One, Two, Three: Selected Hay(na)ku Poems; and TANKA: Vol. 1. More information is available at http://eileenrtabios.com